Showing posts with label Ewan McGregor. Show all posts
Showing posts with label Ewan McGregor. Show all posts

Tuesday, February 5, 2013

Beginners (2010): Realistic and Well-Acted but Underwhelming

Beginners
I often complain about certain movies not being believable or characters' behavior not being adequate and realistic enough. Usually, I dislike them partially or entirely. And now, here Beginners is. It's completely believable. It's acted out quite well. Even the not so common events portrayed in the movie seem absolutely possible. And despite all of these the movie is somehow boring and not fully entertaining. Maybe its total realism makes it less cinema friendly and at the end less involving. Beginners is good on its own yet it failed to absorb me.

Beginners is about Oliver Fields (Ewan McGregor), a young man who after losing his mother is shocked by his father's announcement that he is gay. Father Hal Fields (Christopher Plummer) is also diagnosed with cancer and dies after a few years leaving Oliver sad and confused about love and life. Oliver often thinks about his father's last years and his happy relationship with considerably younger male lover Andy (Goran Visnjic). He also thinks about his early life with his queer mother and her marriage with his father. These thoughts determine his uncertainty in his own relationships with women. One day he meets Anna (Mélanie Laurent), a French actress, which has also unstable former love life. Both of them like each other but love is not enough to keep them together. They have to deal with their fears and find hope and inspiration in order to end up in a successful relationship this time.

The story of Beginners may seem more interesting as I write about it than it actually is while you are watching the film. There are not any substantial twists. You know from the very beginning that the father will die and that he is gay. Whether Anna and Oliver will end up together or not does not really matter. So, the interesting stuff that has to capture your attention should be hidden in the particular scenes. And there are really some interesting moments but as a whole they are not enough to make for a captivating movie. The characters of Andy and the mother (Mary Page Keller) are in a way fascinating but they are not among the ones having the most screen presence.

Christopher Plummer and Ewan McGregor perform well. And as I've said everything you see in Beginners is feasible although not everyone in real life is gay and it's even rare a 75-year-old man to find an attractive young male lover. Being believable is not enough though and boredom is not an alien to this film. Personally, I do not find the usage of stills from particular years in the movie to be an effective presentation device either. On a positive note, I think to employ a character of an elderly father revealing himself as gay and achieving happiness at the decline of his life is a good idea when seen as an inspiration to his son.

So, Beginners offers a real life story, good acting and some colorful characters. It's hardly a comedy but you can smile a few times. What the movie doesn't offer is real involvement and caring for the characters. I find it underwhelming and remotely entertaining. Watching Beginners once is not a complete waste of time but it is not a fully rewarding experience either.

Saturday, January 21, 2012

Haywire (2011): A Watchable Film with Wasted Potential

Haywire
What happens if you put together a beautiful retired mixed martial arts fighter (Gina Carano), an Academy Award winning director (Steven Soderbergh), several famous actors (Michael Douglas, Antonio Banderas, Ewan McGregor) and a mediocre story? Well, apparently a haywire movie. Although in reality Haywire is not a disastrous film I expected a better film bearing in mind all of the people involved in its production.

Haywire presents a couple of weeks in the life of secret operations near-freelancer Mallory Kane (Gina Carano) who is regularly hired for various undercover missions via her "boss" Kenneth (Ewan McGregor). After a hostage rescue mission in Barcelona, Mallory is quickly assigned to a new task in Dublin. She has some suspicions though and discovers that she has been set up and her life is in a real danger. Mallory has to use her fighting skills (which she uses well) to survive and her training for secret missions to escape her chasers and get back into the United States where she is determined to find out the truth and to revenge on all implicated in her getting in trouble.

In fact, Haywire starts fairly well and slowly loses potential. While we see some of Carano's martial arts skills, there are a lot of other misused people and items. As mentioned before Michael Douglas, Antonio Banderas and Ewan McGregor star in the movie but they are rarely shown on the screen. Michael Douglas plays government agent Coblenz but he is pretty much an expendable character and rarely appears in the movie. Antonio Banderas' Rodrigo is kind of Coblenz's contact but he is almost as redundant as Coblenz himself and it's strange why these two actors have accepted their minor roles in Haywire. Ewan McGregor, whose part is to be the head of the private firm Mallory works for, does not have much to do throughout the movie as well although the amount of his participation could be considered passable. From the rest of the cast, Michael Fassbender is worth a mention giving a good performance as a British agent who is unfortunate to meet Mallory at the wrong place and time.

It should have become clear from the above that Gina Carano is the main driving force in Haywire. But speaking of driving, even the appearance of a Mitsubishi Lancer Evolution car in the film is not used to its full potential. Mallory drives the car of a random guy who tries to help her but there is nothing noticeable in the few driving scenes to justify the use of this mighty vehicle (even in the light of product positioning). And speaking of that random guy with the car, he is also completely expendable.

The direction of Steven Soderbergh is decent but he has filmed much better pictures than Haywire. There is enough suspense in the movie up till a certain point (mainly while the retrospective sequences last) and after that it becomes quite straightforward without twists and surprises. The only not so obvious part is whether Michael Douglas' character is "good" or "bad" but you cannot be completely sure about this even after the ending of Haywire.

For fans of Steven Soderbergh or any of the actors, Haywire is understandably a must see film. For all of the rest, it's a decent movie but if you have better opportunities for spending your time do not wonder too much which option to choose.